Drawing in the Visual Arts Classroom
and Young Audiences of New Jersey LINK
and Michelle Marigliano, Senior Director of Education and Equity
and Trenton Public School School District LINK
and Elizabeth Rose Zwierzynski,
Acting Supervisor of Visual & Performing Arts and Partnerships
Session 3
May 15, 2024
Creating a Hand/Text Drawing with Sepia and Graphite Pencil
In this third coaching/professional development workshop for high school art teachers at Trenton Central High School, New Jersey, YANJ/PA Teaching Artist, Triada Samaras, introduced a new drawing material: sepia and a new concept for the day, creating a hand drawing with text. The hand is a symbol of humanity, a wide variety of gestures, several emotions, and is recognized by every culture.
"The human hand has been the subject of many famous artistic works across the ages. This interest in the hand form dates as far back as the early prehistoric ages. Findings of art depicting hands has been documented and preserved in multiple locations in South America, Asia, and Europe. These are typically a form of cave art, made by placing a hand on the wall of the cave, and blowing pigment at it, forming a characteristic uncolored (negative) image of the hand surrounded by the pigment. The painting may then be decorated with lines or dashes." LINK
Triada Samaras chose the hand and text as a theme as it addresses self, individuality and identity. These themes are natural in the Culturally Responsive Teaching. pedagogy. Having students speak in their own voices on an art work of their hand is a natural fit.
"Culturally responsive teaching incorporates and centers unique student experiences and identities, supporting educators to build learning partnerships that result in increased student engagement and ownership of learning." LINK
Above: Hands at the Cuevas de las Manos (The Cave of Hands), Santa Cruz Province, Argentina.
The paintings in these caves paintings are dated from 7300 BCE to 700 CE..
during the Archaic period of pre-Columbian South America..
Above: Teachers and Elizabeth Zwierzynski working on a large-scale hand drawing using brown paper
to resemble a cave drawing background.
Above: Entrance to the Cave
Above: Triada Samaras often features the hand in her artwork.
Above is her drawing of her hand and a poem she integrated into the drawing.
Art teachers can also build
art lessons around their own art practices.
Above: Hands from Cave of Hands
In a second part of this drawing lesson: Triada Samaras proposed
the students begin a list of positive and self-affirming statements about themselves, things they are comfortable with or proud of e,g,:
"I am" statements like
"I am kind to my friends."
"I am smart and believe in myself."
"I am smart and believe in myself."
Another prompt might be: "I stand for..."
They could use graphite pencil (2B or softer) to add these words on the lines in a
stream of consciousness fashion. This part of the art lesson will affirm their individuality, their identity, and their voices.
Above and below: Triada Samaras provided an example drawing to the teachers as a loose idea or a "lesson "skeleton" but not as a prescription for the teachers. Teachers are encouraged to create their own unique lesson plans from this idea.
Samaras also suggested students can draw or collage pieces of tree branches or seeds to match the lines of their hands to another living thins such as a plant or tree outdoors.
This extension of the project would also make this lesson an
EcoArt lesson, connecting the human hand to the environment of living things outside of the human body.
Other extensions of this art lesson might lie in studying Mehndi or Palmistry.
Above: The Art of Mehndi
Above: The Art of Palmistry



















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