Thursday, July 11, 2024

2024 Arts Integration Leadership Institute 2

I have just returned from 2 days at an Arts Integration Leadership Institute held in Princeton NJ by the New Jersey Principals and Supervisors Association NJPSA where I presented on "AI Image Generators to Foster Creativity in the Classroom" with Michelle Marigliano and Young Audiences NJ/Eastern PA YANJ/Eastern PA

Naturally AI Image Generators will never replace art made by hand! To me they are a new tool: a really a perfect vehicle for Arts Integration Pedagogy to give one example. It was amazing to see teachers in different content areas coming together to brainstorm the use of these Image Generators in their school setting and working collaboratively.

Here is a link photos from YANJ/EP

https://app.air.inc/a/bPo199yTC/b/2dc975eb-6351-4ff2-b6d8-42dbe97148e5

Below is a Padlet of the work created by the teachers.

Made with Padlet

Tuesday, July 9, 2024

Triada Samaras presenting at 2024 Arts Integration Leadership Institute 1

Hello! I am happy to say that I will be presenting at the 2024 Arts Integration Leadership Institute given by the New Jersey Principals and Supervisors Association NJPSA at the Nassau Inn in Princeton, NJ. (July 9-11).

I present tomorrow, July 10 and Thursday, July 11! I am attending this conference with Michelle Marigliano and YANJ/EP. I hope to see some of you there.

My topic is "Usage Of Artificial Intelligence Image Generators to Foster Creativity in the Classroom"







Tuesday, June 4, 2024

Artist Triada Samaras Mentors High School Teachers at Central High School in Trenton, NJ Part 4

 Drawing in the Visual Arts Classroom


with Triada Samaras, Artist and Art Educator LINK   LINK

and Young Audiences of New Jersey LINK
and Michelle Marigliano, Senior Director of Education and Equity

and Trenton Public School School District LINK
and Elizabeth Rose Zwierzynski, 

Acting Supervisor of Visual & Performing Arts and Partnerships


Session 4
June 5, 2024

Today we will be revisiting the central tenets of culturally responsive teaching as they relate to blind contour drawing for the art classroom.

Culturally Responsive Teaching Points:
  1. Build a positive classroom culture
  2. Get to know your students and families
  3. Provide opportunities for students to see themselves in the learning
  4. Set high expectations for all students
  5. LINK
Observational Drawing with Any Drawing Tool 


In this fourth and final coaching/professional development workshop for high school art teachers at Trenton Central High School, New Jersey, YANJ/PA Teaching Artist, Triada Samaras, introduced a new drawing material: colored pastel and a new concept for the day, observational drawing from flowers native to students living in New Jersey.



Based on the book Look Closer Draw Better by Kateri Ewing

"If I could choose one lesson to pass along to other artists, there is only one real choice: The importance and joy of learning to see....not just what but how we see...." LINK


1) Mindfulness Meditation

2) Set the tone for close observational drawing

A) Focus and Study Lo-Fi Music
Tune out distraction and set yourself up for a focused, effective study session...featuring hip hop inspired lo-fi sounds to help you study, work, relax.

OR

B) New Jersey Bird Sounds

 Another possible resource:
Pomodoro Technique

Blind contour drawings develop our attention and concentration.
They can also calm us if we stop worrying about the "outcome" the end drawing.
Instead concentrate on seeing the plant in a whole new way and learning about its details!
The goals of this art activity is to see something that is very familiar in a whole in a new way.

"It is my belief that if we pay close enough attention, we can discover immense beauty in the most ordinary subjects of our daily lives"  Kateri Ewing

Blind Contour Drawing Instructions

  1. Calm your energy down as much as possible.
  2. Pick a tool you would like to use to draw with (One works best for this exercise).
  3. Position your paper to your right if you are right handed and to your left if you are left-handed.
  4. Let the plant come into focus in your eyes.
  5. Set your eyes upon a point on the contour of the object.
  6. The aim is to begin and end at the same place.
  7. Pretend you are a tiny ant on that plant (pick a specific location where the ant is).
  8. Look at the "ant" again and pretend it is walking clockwise.
  9. As the ant walks move your drawing tool along with this motion of the imaginary and return to the place you started.
  10. Do not lift your drawing tool off the paper.
  11. This is an exercise in looking not in creating an exact copy of the object
  12. Take your time drawing, ten minutes at least.
  13. When you are done look down at your paper.  Can you see where the line you made follows the path your eyes took?
Share!
What did you see about this object that is wholly new?

Try it again!

"I have been truly amazed and enchanted-to discover what happens to our artwork when we truly learn not just what, but how to see"  Kateri Ewing












Saturday, May 11, 2024

Artist Triada Samaras Mentors High School Teachers at Central High School in Trenton, NJ Part 3

                      Drawing in the Visual Arts Classroom


with Triada Samaras, Artist and Art Educator LINK   LINK

and Young Audiences of New Jersey LINK
and Michelle Marigliano, Senior Director of Education and Equity

and Trenton Public School School District LINK
and Elizabeth Rose Zwierzynski, 

Acting Supervisor of Visual & Performing Arts and Partnerships


Session 3
May 15, 2024

Creating a Hand/Text Drawing with Sepia and Graphite Pencil


In this third coaching/professional development workshop for high school art teachers at Trenton Central High School, New Jersey, YANJ/PA Teaching Artist, Triada Samaras, introduced a new drawing material: sepia and a new concept for the day, creating a hand drawing with text.  The hand is a symbol of humanity, a wide variety of gestures, several emotions, and is recognized by every culture.

"The human hand has been the subject of many famous artistic works across the ages. This interest in the hand form dates as far back as the early prehistoric ages. Findings of art depicting hands has been documented and preserved in multiple locations in South America, Asia, and Europe.  These are typically a form of cave art, made by placing a hand on the wall of the cave, and blowing pigment at it, forming a characteristic uncolored (negative) image of the hand surrounded by the pigment. The painting may then be decorated with lines or dashes."  LINK

Triada Samaras chose the hand and text as a theme as it addresses self, individuality and identity.  These themes are natural in the Culturally Responsive Teaching. pedagogy.  Having students speak in their own voices on an art work of their hand is a natural fit.

"Culturally responsive teaching incorporates and centers unique student experiences and identities, supporting educators to build learning partnerships that result in increased student engagement and ownership of learning." LINK
Above:  Hands at the Cuevas de las Manos (The Cave of Hands), Santa Cruz Province, Argentina.
The paintings in these caves paintings are dated from 7300 BCE to 700 CE..
Above:  Teachers and Elizabeth Zwierzynski working on a large-scale hand drawing using brown paper 
to resemble a cave drawing background.
Above:  Entrance to the Cave
Above:  Entrance to the Central High School in Trenton, NJ
Above: Triada Samaras often features the hand in her artwork.
Above is her drawing of her hand and a poem she integrated into the drawing.  

Art teachers can also build
art lessons around their own art practices.
Above: Hands from Cave of Hands
Above:  Central High School Teachers use their own hands to create drawings.
In a second part of this drawing lesson:  Triada Samaras proposed
the students begin a list of positive and self-affirming statements about themselves, things they are comfortable with or proud of e,g,:
"I am" statements like
"I am kind to my friends."
"I am smart and believe in myself."
Another prompt might be:  "I stand for..."
They could use graphite pencil (2B or softer) to add these words on the lines in a 
stream of consciousness fashion. This part of the art lesson will affirm their individuality, their identity, and their voices.
Above and below: Triada Samaras provided an example drawing to the teachers as a loose idea or a "lesson "skeleton" but not as a prescription for the teachers.  Teachers are encouraged to create their own unique lesson plans from this idea.
Samaras also suggested students can draw or collage pieces of tree branches or seeds to match the lines of their hands to another living thins  such as a plant or tree outdoors.
This extension of the project would also make this lesson an
EcoArt lesson, connecting the human hand to the environment of living things outside of the human body.
Other extensions of this art lesson might lie in studying Mehndi or Palmistry.




Above:  The Art of Palmistry
















Thursday, May 2, 2024

Artist Triada Samaras Mentors High School Art Teachers at Central High School in Trenton NJ Part 2

 Drawing in the Visual Arts Classrom


with Triada Samaras, Artist and Art Educator LINK

and Young Audiences of New Jersey LINK
and Michelle Marigliano, Senior Director of Education and Equity

and Trenton Public School School District LINK
and Elizabeth Rose Zwierzynski, 

Acting Supervisor of Visual & Performing Arts and Partnerships


Session 2
May 1, 2024

In this second coaching/professional development workshop for high school art teachers at Trenton Central High School, New Jersey, YANJ/PA Teaching Artist, Triada Samaras,  
introduced a new drawing material:  water soluble graphite and a new concept for the day, using a grid to enlarge a photograph.  The grid has been used extensively by artist, Chuck Close, who had several learning disabilities he spoke about often, saying his disabilities were at the heart of his work. LINK

The water soluble graphite was added to the charcoal from Session 1 where some home made charcoal was introduced to the teachers.
.
Triada chose a photograph of  a dark cloud symbolizing the clouds before a tornado.  Central High School has the Tornado as its school theme.  A large striking tornado sculpture hangs in the front lobby.

In the future teachers might choose this topic for a photograph or many others, based on the interests and needs of their students.  For example, students may wish to photograph their local bodega, a familiar neighborhood location.  Or students might enjoy finding a Trenton landmark to photograph such as the Yardley-Wilburtha Bridge. Or a shared common food such as a slice of pepperoni pizza. This project is flexible. In addition teachers might use clay tiles or canvases for the individual squares instead of paper if they wish. 
Culturally responsive teaching engages students with subject matter they can relate well to.  This leads to higher success for students in other academic areas too, not just the arts classroom.

"Culturally responsive teaching (CRT) attempts to bridge the gap between teacher and student by helping the teacher understand the cultural nuances that may cause a relationship to break down—which ultimately causes student achievement to break down as well."  LINK














Other possible uses of a grid from Triada Samaras:

A cube made from a six square grid

A long wall hanging grid that extends onto the floor (relief grid)

Grid squares attached to a public object or place in the building for example:  The Tornado Sculpture! (only kidding, teachers);  A chain link fence outdoors?  (Laminated grid square pieces attached with wires?

A bench indoors?

Where else? How else?











Tuesday, April 30, 2024

Triada Samaras Visits a High School Art Classroom in Trenton, New Jersey: Grid Art








GRID ART EXAMPLES

1) Portrait Thomas Jefferson 

1 Art Teacher, 1 Social Studies Teacher, 1 PIR/Professor in Residence

Don Bosco School, Paterson NJ

80 pieces - 9" x 9" squares white construction paper

Colored Pencil

1-2 weeks

 https://steamempowerment.blogspot.com/search?q=grid+art


2)  Portrait Albert Einstein

1 Art Teacher

New Roberto Clemente School, Paterson NJ

120 pieces - 11" x 11" squares white construction paper

Markers, Colored Pencils

1-2 weeks

https://steamempowerment.blogspot.com/search?q=einstein


3) Hand Portrait School Principal:  "Unity Through Diversity"

1 Art Teacher/ 1 PIR/Professor in Residence

School 21, Paterson NJ

166 Ceramic Tiles- 6' x 6"

Glazed Tiles, Fired

4 years (Pandemic interrupted)

https://steamempowerment.blogspot.com/search?q=raquel+ford+clay+project

https://steamempowerment.blogspot.com/2019/11/welcome-to-arts-integration-school-21.html








Friday, April 26, 2024

Triada Samaras Visits a High School Art Classroom in Trenton, New Jersey: Still Life

  Trenton Central High School 

Using Charcoal to Draw a Still Life

March 6, 2024


Mr. Montanari chose to provide some fruit for the art class happening right before the spring vacation, a time of year when it might be difficult for students to concentrate in a late day art class due to their excitement with their coming break.

 YANJ/EP Teaching Artist, Triada Samaras, introduced several new materials:  vine charcoal, charcoal pencils, block charcoal, kneaded erasers, blending stumps and more to Mr. Montanari's high school art classroom. Students were able to see their "still life" items close up and near to their artwork which makes a huge difference in their ability to carefully observe details, shapes, forms, textures and values and to then create them on a blank page. In addition they observed fruits as the subject for this still life lesson that they are familiar with from food prepared at home or from shopping for groceries with their families.

As a result, the students were highly engaged with this art lesson, creating interesting drawings (see below) while enjoying the lesson as well.
Appealing to high school students' interests with this type of food (instead of the usual display of anonymous or typical objects eg. an apple and a vase that are used for still life drawing) led to greater student engagement with the drawing process as well as the sharing of ideas amongst the students. 

Ms. Montanari and Ms. Samaras chose this lesson together carefully focusing on the circumstances, the art materials and the lesson plan objective that would engage the students in the most sustained and joyful way.

Culturally responsive teaching is "a mindset, a way of thinking about, and organizing instruction to allow greater
flexibility in teaching

Triada Samaras 4/26/2024